***"Nice to hear the first solo LP in a good while by this most excellent guitarist who also runs the superb Scissor Tail label. Dylan writes, 'I made the title track a couple years ago at the beginning of summer. I was thinking about how as you get older you have fewer new experiences. That feeling of excitement for summer fades, after it used to be such a big deal as a kid. Those experiences can only be new and vibrant once. The rest of your life can be spent in nostalgia for them. It's a sad thought and maybe not true for everyone, but I suspect it is for most. The album is a sort of ode to that Stand by Me vibe of childhood. Which's a big part of why Cody M Lane 's photograph of the kid skateboarding in cowboy boots hit me so hard. That's a thing I've seen multiple times here in Oklahoma over the years and it cracks me up, but is also just a perfect photo in my opinion. All of his photography really captures my latchkey childhood -- wandering around the streets all day with friends, not a care in the world. The recording process was spaced out over 12 years. I compiled these songs around a theme although they weren't recorded with a theme in mind. My songs are usually extracted from longer recorded improvisations, then expanded. Some tunes like 'Good Directions' and 'No New Summers' were just made in one...
LP $32.95
03/07/2025
***BACK IN STOCK!!! “Dylan Golden Aycock is part of the new generation of guitar pickers young enough to first have been influenced by early volumes of Tompkins Square Records’ Imaginational Anthem series and then to be anthologized on a later one. The Oklahoma native is on Volume 7, should you feel like looking, playing an early version of “Red Bud Valley,” which sits in the middle of the B-side of the LP under consideration here. “Aycock’s composing on Church Of Level Track offers evidence that he’s well studied in a lineage of American Primitive pickers that stretches back decades before he was born. “Lord It Over” puts it right out there by opening with a double-thumbed bass line right out of John Fahey’s bag of tricks. But this quotation is merely an opening gambit, and one that is quickly followed by moves that prove Aycock is no parrot but a bird with his own song to sing. The steel guitar that sails in over his picking evokes first the bucolic playfulness of Jim O’Rourke’s Bad Timing and then keeps going back into the deep back shelves of country-rock lyricism. At the same time a virtual band (Aycock plays everything on the track and nearly everything on the LP) sets up a subtle undertow of entropic drumming and echo-laden feedback….” —Bill Meyer, Dusted Magazine, Chicago Reader
LP $17.50
10/21/2016
MP3 $6.99
10/21/2016
FLAC $7.99
10/21/2016
***A vinyl reissue of DYLAN GOLDEN AYCOCK quickly sold-out limited Lathe cut X-ray 12-inch from last year Rise & Shine. This edition is equally unique in that each cover was hand painted, screenprinted, and letterpressed by Dylan at his home in Tulsa, Oklahoma. “Dylan Golden Aycock is from Tulsa, Oklahoma and performs beautifully arranged and performed songs on the acoustic guitar (that holy instrument) that are as expansive and limitless.There is something immensely satisfying about running into an album like Rise and Shine. Six songs of immense weight and beauty composed and performed sporadically on six and twelve string acoustic guitars, recorded and then cut onto X-Rays from his father’s non-fatal heart attack. While comparisons to Tuma and Blackshaw (who like Aycock pushes the acoustic guitar into realms of classical music) serve to place Aycock with other like-minded artists, Dylan Golden Aycock is unexpectedly talented. Coming out the American west is something to get excited about. The tracks differ in quality, the album seems like a collection of sudden outbursts of creative energy recorded mostly on the go - some are studio-quality in execution, others are covered with a fine coat of lo-fi distortion which make the record sound like a compilation of old, forgotten songs. Aycock, similarly to another young primitivism hero Daniel Bachman, looks back into the heydays of both acousitc guitar bards and early blues shamans as well as 60’s experimentators, who fused traditionally American styles with a bit of Eastern exotica. The compositions are...
LP $17.50
03/19/2013
MP3 $5.94
03/19/2013
FLAC $6.99
03/19/2013