***"Shutaro Noguchi didn’t set out to make a farewell album, but On the Run captures a moment of profound change. Recorded just weeks before moving back to Japan after 20 formative years in America (spent primarily Louisville, Kentucky), the album reflects a life in motion—rooted in memories, yet reaching toward the unknown.In Louisville, Noguchi had built a creative home with a tight-knit crew, crafting beloved records that ranged from the country-rock swagger of Ryan Davis and the Roadhouse Band to the mutant grooves of Equipment Pointed Ankh. Meanwhile, he released compelling solo work, including the full-band psych rock gem Love Super Terranean on Feeding Tube Records. With On the Run, Noguchi joins The Roadhouse Band once more for a searching, expressive collaboration—an album made at a threshold between past and future.The opening track 'Olympic 3.5' begins with Noguchi in solitary introspection: 'Now the wind is blowing / It’s passing me by … I’m getting a little too used to watching this sunset.' He’s soon joined by the syncopated rhythms and lilting synths of The Roadhouse camp, constructing a warped odyssey that intertwines the cosmic spirit of Gong with the melodic, pop-driven abstraction of Ryuichi Sakamoto. Noguchi returns with Wyatt-esque wordless vocalizations before the song spirals into a dark, abstract descent.Jazz-tinged numbers like 'Apocalypse/Calendar' and 'River Dagger' highlight Noguchi’s singular compositional voice. His relaxed vocals float over otherworldly arrangements, while 'Drive My Cape Cod'—–a voice memo captured during a long car ride and completed in the studio—offers a candid glimpse into...
LP $24.95
10/17/2025
***“If you don’t know it yet, it’s my privilege to tell you that Ryan Davis is one of the greatest songwriters of his generation. Bold instinct immediately insists that I lose the qualifications: he’s the greatest of his generation, he’s one of the greatest ever. Whatever. Posterity—if there is a posterity—will sort it out. Happily, New Threats from the Soul has beaten the Doomsday Clock to the wire, and we appear to have a little while left to revel in it, receive its revelations, and be revealed by it......New Threats from the Soul is a masterclass in reducing the sublime to the prosaic, immensity to infinitesimality, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam, rubbish heaps of fragments and shards, a 'pile of voodoo dolls and iron scrap in the backyard for the meek to inherit.' We, especially, are jerry-rigs of bubblegum and driftwood, inconsistencies and incoherencies, dead dreams and necrophagous hopes, 'mismeasurements between the place where [we are] and the place where [we] could have been,' although somehow not—miracle of miracles—bereft of simple joys. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe, just not for us. At least, I would venture for coldest comfort, not as we have constituted ourselves. When Ryan has the penny slot yell 'What even am I, by god?’ toward the high stakes room, the soul chills and thrills at being so...
CD $10.00
07/25/2025
2XLP $32.50
07/25/2025
***"Bathing In The Stone is the 6th album from Mazozma (aka Ma Turner) and the first for Sophomore Lounge since 2016’s Mazozma’s Fatufairfe. In those ensuing 9 years (if not prior), Turner’s considerable skill-set as a guitarist has been employed in a variety of guises and the amount of range covered by projects including but not limited to Huevos II, Warmer Milks, State Champion and Teal Grapefruit begs the question who else in the underground rock sphere can measure up? The small field is about to get even slimmer with the release of Bathing In The Stone, a shimmering, incandescent riposte to a generation’s worth of troubled (and often tentative) troubadours. Immaculately recorded, deftly played, Bathing is the most fully realized and thoroughly gorgeous work in Turner’s sprawling discography. If, like me, you’re concerned your friends are drowning in a sea of musical mediocrity, the album will well function as a life preserver (NOT LITERALLY, besides you can’t play it after it’s soaked). Is that not the greatest gift you can give? I mean, I once received one of those Sports Illustrated football phones so I think I’m pretty qualified to weigh in on the opposite of the greatest gift.All of that said, many of us feel as though we’re living in a world that’s being pulled apart at the seams (or in the case of the football phone, the stitching). For about 40 minutes, Bathing In The Stone is nothing short of a tonic for these horrible times. If...
LP $24.85
05/02/2025
***Kentucky singer, songwriter and poet, Grace Rogers, comes from a family of old time, traditional and string band musicians. Her great grandpa Charlie Rogers played guitar in the Kentucky String Ticklers, recorded on the Gennett Record Label in Richmond Indiana during the Great Depression. Grace, herself, has been playing solo shows and traditional music for around ten years. But on Mad Dogs her debut studio album, defying Pete Seeger and his vengeful axe, Rogers has ventured beyond the music she cut her teeth on. Armed with a mid-metal Ibanez S Classic electric guitar that her musician father bought for her on Facebook Marketplace and plugged straight into an amp with no pedals (cause she doesn’t have any), Rogers throws down with the help of a group of skillful, kind-hearted musician friends: Ian Gordon (Grandma’s Boys, Couch Cadet, Family Curse) on electric guitar, Chris Cupp (Ellie Ruth, Restless Leg String Band) on bass and cello, and Fiona Palensky (Eric Slick, Lindsay Lou, Turbonut) on drums and vocal harmonies.Drawing nourishment from the deep roots of her home place in Bath County and watered by the freak waters of Louisville, Rogers has crafted eight original tracks that hum like hymns and drive like rain. Her lyrics are restless, anxious, haunting and hopeful. Steely and resolute. Observing with a poet’s eye, Rogers knows that in the time it takes to tune a banjo, lies a space to tell a story, a story about the places and the people who shaped your being. With a...
LP $24.85
05/02/2025
***Limited edition 20th anniversary first-time-vinyl pressing of Ultra Pulverize's debut Gorillas In The Fist full-length. Edition of 200 on black vinyl."“It’s just three guys; they have a bodybuilder guy rapping over a drum machine and a synthesizer.” A friend at the time had done his best to describe the opening bands for the evening, one of them named Ultra Pulverize. This unusual description would only be the FIRST time that Chris Vititoe, Andrew Vititoe, and Jared Busch would defy my expectations...I absolutely could not believe what I was seeing and hearing. Andrew’s vocal style and sound struck me more within the traditional punk sphere of John Lydon or the likes as far as how it was meant to cut through with a sinister, snotty, biting humor. He was “rapping” but it sort of upset my musical equilibrium in how original it and he was; he had effectively bypassed the “culture vulture” charge in being a white guy within the vicinity of rap in how he had shaped his performance. Nobody but nobody could have or would have ever expected the drum machine to be played manually and fed through a series of outboard effects. All the while, a synthesizer was carrying so much sonic, melodic, colorful, and occasionally abrasive heft that would ordinarily be accomplished by multiple instruments..."—William Benton, 2025
LP $24.85
05/02/2025
***Quabbin Winter is the latest gently fevered, psych-frayed full length LP from Northeastern America's SPECTRE FOLK—the now two-decade spanning solo-centric organized noise making outfit & nom-de-plume of Pete Nolan (Magik Markers, Virgin Eye Blood Brothers, et al) and friends. Recorded in late '23/early '24 with the help of Mike Donovan (Sic Alps, Peacers), James Canty (The Make-Up, Ted Leo), and Eben Bull. Cover painting by Pax Peloscia. Co-released with Arbitrary Signs.
LP $24.75
02/07/2025
***"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a...
LP $23.75
09/27/2024
***"Our Other History is a wonderful new LP by this wandering Berlin-based Melbourne expat. Ned's last album, Afternoon Dusk was an avant instrumental trio outing with James Rushford and Joe Talia, but Our Other History is a return to the delicate, sophisticated song craft of his 2018 masterpiece, Old Chestnut. Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury. The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates Jim White and Mick Turner (of Dirty Three fame) and the folksinger Leah Senior. All these elements (and more) are fitted together with elegance and allowed space to breathe. Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as Our Other History, the best idea is to just relax and let the music flow. Beautifully.”—Byron Coley, 2024
LP $22.85
09/20/2024
***It's Cocktail Time, America! That’s right—Grace, the sophomore effort from Planet Earth's favorite Western Mass bar band ANIMAL PISS, IT'S EVERYWHERE, is officially upon us. And indeed, there is a certain grace present amidst the rambles and ambles of this particular trip around the gramophone. Picking up where 2022’s self-titled LP left off (deemed an "all-star romp through early West Coast country rock a la Moby Grape, Sons of Champlin, & Byrds" by Byron Coley), this latest full-length further explores such collectively road-tested themes as mortality, partying, doomed celebrity, and wasted-days-turned-regrettable-nights with equal parts stardusted mania and genuine pathos. Sorta like if an early Jimmy Buffett LP took a wrong turn down a dark alley somewhere between the poolside cabana and neighborhood crab shack, or if Brewer & Shipley tripped with the Meat Puppets in a tour van together. Sophomore Lounge and Half A Million Records are happy to co-present this aural truckstop feast from the experimental northeast, and it arrives just in time to squeeze in a few more shoreline drives with what's left of these hazy summer daze. Jump in!
LP $24.50
09/13/2024
***Using an idiosyncratic compass and thinly disguised as Broken Telepathy, the Bronx-based duo of Kaori Nakamura (Soft Gang) and Darin Mickey (Dichroics/Soft Gang) navigate a range of emotional landscapes employing super-normal sonic objects. Feeling at a distance while attempting to psychically facilitate connections via sound with magnets, speakers, strings, tape, and a variety of other tools at hand. Recorded in relative isolation during the waning viral years of 2022 and 2023 above a Thai restaurant, this debut full-length endeavor by Broken Telepathy is empathetically harnessed in infectious break-beat rhythms with pensive, sonic stabs of guitar. Intersecting sensory channels of synthesizer and bass sooth the background hum of the brain and color the ear.
LP $21.25
07/19/2024
***The collection of music you're about to squeeze through your temporal lobe is not comprised of your standard 4/4 dance remixes. Unlike traditional remix records, these thirteen pieces are fully reconstructed re-imaginings of tunes from Coffin Prick's debut LP Laughing (Sophomore Lounge, 2023). Built from the e-ground up as they were initially recorded during the album's master sessions, the tracks at hand are—at times—as untraceable to their original as they are difficult to genrefy, playing out as true reflections of each individual artist's creative process. Ready for some crooked wisdom? Features remixes from: Melt Banana, Yoshimio's (00I00 / Saicobab / Boredoms), Ian Williams / Battles, Ed Sunspot, John Herndon (Tortoise / A Grape Dope), Gel Set, Tim Kinsella (Joan of Arc / Kinsella & Pulse, Make Believe, etc.), Dan Bitney (Tortoise / Mecht Mensch), Shit and Shine, Dream___Mega, Beau Wanzer, and Roadhouse (Ryan Davis).
LP $21.25
07/19/2024
***The NZ-American Bilders brings Matt Swanson (Lambchop, My Dad Is Dead) and Alex McManus (Vic Chesnutt, Lambchop) into the fold, all with acclaimed albums in their saddlebags. Quality production and mature song themes reflect a lot of pure experience. Dustbin of Empathy opens with a voyage across Europe and down the generations, a tribute to the small people who survive massive events. One tune has an anti-war bias. Peace! Another is a trip of a kind—"Angel (The Astronomer)" is an eerie voyage into the “sinuses” of space. Most of the tunes were co-written, a couple were penned by Direen alone. High quality recordings, and the pedigree of the musicians, should make this unexpected album a pearl of 2024. It is hard to choose a stand-out track for campus stations—alluring “Lately Rain”, epic "Citizens of Nowhere", the harder edge of "Anvil Dark", lap-steel engraved "Scaribus" or already WFMU-blooded "Custody of Love"? Pure quality to take you from Dustbin right the way back to Empathy.
LP $23.50
07/19/2024
***On his second album as DAR, Chicago songwriter Aaron Osbourne conjures a strangely triumphant celebration of life and love from beyond the casual boundaries of personal loss. Forging a complex path from grief to healing through self-spun yet ultimately collaborative music, there's some objectively tough stuff here. But the record never wallows in despair, nor asks you —the listener—to join in its trials. It’s a rock record. A really *good* rock record. And even furthermore, against all odds, a distinctively joyous one. In the spirit of K Records’ ramshackle heartbreak and the damaged baritone of Ted Lucas, Osbourne’s own idiosyncratic yowl lights the path from song to song with a fiery combustion of charm and dread. An unlikely landscape of acoustic guitars, toy pianos and digital brass surges into the foreground of normal rock shit to touching effect. Recorded by Jim Marlowe in Louisville at End of an Ear studio with the help of longtime friends and collaborators Jenny Rose & Ryan Davis (Equipment Pointed Ankh, Roadhouse Band) over the course of two years, 'A Slightly Larger Head' is the album that Osbourne deemed "essential to my survival…it was necessary." Savor the ride and keep going.
LP $26.95
02/23/2024
***"At the frayed bottom-edge of Indiana—just a moderate bike ride north of Louisville, Kentucky—multi-instrumentalist, artist and songwriter RYAN DAVIS’ Americana-noir soundwaves have been emanating for years in a myriad of forms. As driving force for the lauded STATE CHAMPION, long-running member of TROPICAL TRASH, administrator of the esoteric and excellent Cropped Out festival, and lone proprietor of the Sophomore Lounge label, Davis lays down his first proper ‘solo’ release with Dancing on the Edge, a rich, 2xLP tapestry of tunes that absolutely glows over seven expansive cuts. It’s a pure collage of modernity and heritage. Recorded in early 2023 with help both in-studio and remotely from peers like JOAN SHELLEY, CATHERINE IRWIN (FREAKWATER), WILL LAWRENCE (FELICE BROTHERS, GUN OUTFIT, JOHN EARLY), JENNY ROSE (GIVING UP), CHRISTOPHER MAY (MAIL THE HORSE), ELISABETH FUCHSIA (FOOTINGS, BONNIE "PRINCE" BILLY), and AARON ROSENBLUM (SON OF EARTH, SAPAT), Dancing on the Edge draws backup perhaps primarily from Davis' tight-knit drinking buddies-cum-cast of collaborators in EQUIPMENT POINTED ANKH (records on Astral Editions, Bruit Direct Disques, Torn Light)—a five-headed hive-mind from which he drew impetus for his own foray into more abstract and improvisational terrain these past few years under the ROADHOUSE alias. The results herein are melancholic, gentle, minimal yet colorful in mood: a lilting highway accompaniment of crisp instrumentation and a relaxed, amiable approach to vocals with rhapsodic wordsmithery. Fans of the aforementioned artists as well as those of Souled American, David Berman, Kurt Vile and Comes A Time-era Neil should all easily find bounty.
2XLP $31.45
11/03/2023
***GUB—debut full-length from the two-headed beast of Beau Wanzer / Champagne Mirrors—is a low-boiling cauldron aswirl with glurpy synthscapes, hypnotized rhythms and eerily dubbed-out electronic discharge. A timeless collaboration from two of Chicago’s finest exports.
LP $23.50
11/03/2023
***"The first solo album by Ryan Weinstein (Cairo Gang) is truly a world of its own. Under the name Coffin Prick (the singular version of Coffin Pricks, his group with Chris Thomson), Weinstein has built a musical ecosystem filled with rhyming sounds, hypnotically hermetic production, and a rhythmic gravity that keeps everything in orbit. Crafted entirely at his home in Los Angeles, Laughing is simultaneously isolated and welcoming, as if Weinstein is both reflecting his environment and opening it up for everyone to explore. So many compelling sights and sounds await if you choose to accept Weinstein’s invitation and enter the universe of Laughing. Fiery guitar accents, spaced-out synth patterns, random sounds captured while dog-walking, and the echoey missives of Weinstein’s voice all dart around the stereo space like electrons circling a nucleus. That nucleus consists of his dazzling bass and drum structures, which form the heart of nearly every track here. He consistently finds loops that stick in your brain, sometimes sounding like post-punk from outer space, other times evoking classic dub shot through with helium or doused in gasoline. Take a ride on 'Ricochet in Limbo,' a piston-firing workout in which Weinstein’s slashing guitar cuts through synth detonations like a motorcycle in a minefield. Slide down 'Smooth Rubber Ailment,' a funk-skimming jam whose chilly beat and blurry vocals suggest a haunted house dance party. Climb the rising stairs of 'The Guild of Cowards,' a slow-burning instrumental that evokes the 1980s without sounding the least bit dated. Jump on...
LP $23.50
06/23/2023
***The duo of Mark Anderson (Bancho Taste / Mysteries of Love) and Mark Sadgrove (Mazda Hatchback / Mysteries of Love) take the wheel and don the louvres to serve up a paean to landlocked listlessness, hoons in souped-up saloons and wide-eyed, drunk teen wandering. Recorded both on the road and in typical bramble-brained fashion at Dom Studious in Koenji (with help along the way from Leighton Craig), this LP was mastered by Forbes Williams and follows on from recent releases on Kasual Plastik, What Lies Beneath and Cost of Living.
LP $23.50
06/23/2023
***"ARBOR LABOR UNION are no strangers to the power of transmutation. The Atlanta quartet has alchemized their sound since 2016’s distortion-soaked I Hear You (via Sub Pop Records) into a mystical concoction of Punk-informed weirdo Southern Rock, they lovingly refer to as 'Transcendental Twang.' Their latest offering, Yonder, renews their vows to mainstay influences like The Allman Brothers, Minutemen, Neil Young, and Lungfish, but wields them in newly contemplative ways. Yonder is the more introspective, nocturnal yin to 2020’s New Petal Instants’s brightly kaleidoscopic yang, without sacrificing any joy or playfulness. Produced by newly enlisted bassist and longtime collaborative producer ROB SARABIA,Yonder journeys into noticeably cleaner and more robustly inward-facing sonic territory than we’ve ever heard from ALU before. Fearless captain and vocalist/guitarist BO ORR lyrically examines excavating the depths of your inner world with light-hearted optimism and curiosity. Lead single 'Always Wear Your Shadow Hat' is a winding ode and instructional guide to the freedom of embracing both the light and the dark aspects of oneself. But they are not sending listeners into this process blind; the challenges of this shadow integration are mirrored in the dizzyingly off-kilter interplay between lead guitarist BRIAN 'BRAIN ATOMS' ADAMS and percussionist BRYAN SCHERER. While Arbor Labor Union is clearly untethered from the confines of the physical world and conventional thought, Yonder finds them deeply grounded in humble sincerity; providing a conduit between a cosmically-connected consciousness and a very human, earthly earnesty."—Autumn James
LP $23.75
01/13/2023
***Another debut 12" of country-fried art rock from some of Europe's finest (and friendliest) freak-punx. Step aboard the autobahn-bound UFO for a splattering of infectious guitar tunes w/ influences ranging from the Trux to the Teasers 'n' beyond. "The good doctor is finally back to flip us on our backs and give us the old one-two-three-four, following a cassette I only knew about and listened to death and onto rebirth after hanging with the boys in Marseille. These new-age space cowboys take us to the other side of the galaxy with a space shuttle of punk-fuelled psychedelic country… and drop you off into a black hole. The riffs bring the good news of the apocalypse to the new world from the one they left behind. US Maple lightsaber guitars fighting in a Uranium Club? Singer running out of oxygen. References aren’t required anymore, just like when you hired VHS from the local video store. Take the risk, take the plunge, form an opinion yourself… get your money’s worth, tell me to go to hell and stop reading this. If Captain Beefheart kept playing punk music and joined Marbled Eye or something, wearing modern, youthful clothes with an iPhone to hang out with some of the deranged, loveable, lust-for-lifers of Leipzig, maybe it would sound like this, but only after pulling him apart and putting him back together as Robocop with a Country Teasers bumper sticker on his metal arse. Why hire VHS when you can see their amazing video clips,...
LP $21.95
08/12/2022
***The debut full-length of Link Wray-scented desert guitar wreckage from GABE KARABELL (LUMPY & THE DUMPERS, FRIED E/M). "ACE OF SPIT has been playing regular gigs around South St. Louis for the last five years. Typically you’d find the band inside a basement, burned-out warehouse, or one of the dive bars that still permits smoking, mangling a Sanford Clark or Link Wray cover—perhaps closing out a punk bill because the city ran out of 80s-style hardcore bands. 'Oh, it’s that Spaghetti-Western band again...'" "All that went away in 2020, so Ace of Spit hid out in a basement and wrote this, their self-titled debut full-length (following a scant scattering of home-dubbed, hand-distributed demo cassettes in editions of don't-even-try), which probably would’ve stayed buried deep inside The Sinkhole if their cohorts at Sophomore Lounge hadn’t fortuitously (if not bizarrely) decided to take interest in the sessions' unbridled stink 'n' spirit." "The songs on Ace of Spit chug with a free-wheeling swagger, swaying loosely on the rails and yearning for a time of tweed Fender amps and warbled tape echo. Dragged through the decades, hamstrung by digital distortion and the band’s musical ineptitude (perhaps "enhanced" with the help of available studio substances), small fragments of these undefined and impressionistic eras still shine through from the cracks in the tracks." "Was any of it real, or just a nostalgic dreamland? Some imagined place and time you long for while being punished by a Dumpers super-fan in the Arizona desert? Dreaming of Apollo Bay...
LP $23.50
08/05/2022
***NOW AVAILABLE!!! "...Let’s just say that the year is 2003, and we’re finally meeting the protagonist of this story, a young aspiring post-post-post-punk musician playing guitar (and burning CDRs) in his suburban Kentucky bedroom. Born Michael Andrew Turner, he will cycle through a series of punk names (all gates open), the informal (Mikey Turner), the literary (M.A. Turner), the androgynous (Ma Turner), the mystical (Mazozma). Thanks to the internet, his musical practice can now easily be influenced by, let’s say, the American and European avant-garde theater of the 1950s, the global avant-psychedelic rock underground of the late 1960s, the singer-songwriter outlaw country of the 1970s, the hardcore punk of the 1980s, and from the 1990s both the Lollapaloozoid MTV grunge iceberg tip (with the punk/indie underground massive beneath the water) and the weirdo Bananafishfood noise from San Francisco and Japan and Europe and everywhere else. Not only that, he can start his own band that plays music influenced by all of those things all at once, make prolific recordings of said music, and send it all right back onto the internet (via CDR, cassette, sometimes even vinyl and CD) to create a living subcultural feedback loop. Mikey has indeed done all of that, and is still doing it, non-stop for almost 20 years now, but he did it first in 2003 with a band he called Warmer Milks, a strange and powerful little combo formed in the college town of Lexington, Kentucky. I think a band like Warmer Milks could...
2XLP $31.45
08/05/2022
***Over the last decade-and-a-half, C JOYNES has ploughed a singular furrow through solo guitar, with a body of work incorporating English folk-tunes alongside North & West African music, and lifting proto-minimalist and improvised techniques from the European classical and avant-garde traditions. His new release, Poor Boy On The Wire, is his first full album dedicated wholly to the electric guitar. Through a typically wide-ranging set, Joynes exploits the instrument’s potential by placing intricate parlour music alongside overdriven garage blues throw-downs, wiry electric folk and the brittle ringing tones of free improvisation. However, these explorations of the tones and timbres of close-mic’d guitars and amplification retain an overall coherence and unity through the deliberate use of a limited palette of budget instruments and vintage equipment.
LP $23.50
08/05/2022
***“An extremely dynamic and creative release — Roadhouse combines acoustic and electronic music with a strong balance to invoke the complexity and confusion of a growing planet earth.”—Delroy Edwards, 2021
LP $23.50
08/05/2022